We took pictures to show the work we have done and roles we undertook when filming our opening sequence over the shooting days.
About us:
- Mag Lepkowska
- I'm messy, disorganised and creative, I embrace my independence and do things my way. I take no shit from people I don't have to and I have no time for your little dramas and issues.
I have anxiety and depression which isn't a mystery nor is it something I am prepared to hide and not talk about.
I don't fit into your labels. I'm neither Polish or British, I'm not gay or straight, I'm not a woman or man, I'm not nice or a bitch. I am what you make of me. I drink a lot of coffee, wear sunglasses more on my head than on my face, and I love watching documentaries about the fucked up things in the world.
I love the word "fuck" and I think it's a beautiful word in English language which I use often.
My views on the whole life thing, are to just be happy and do everything so that everyone else is happy to because that makes me happy.
I ain't hard to figure out but there are a lot of things on my mind that I just need to throw out on paper so I've decided to publish my thoughts, for everyone's enjoyment and critique.
Monday, 30 January 2012
Filming - photos.
We took pictures to show the work we have done and roles we undertook when filming our opening sequence over the shooting days.
Thursday, 26 January 2012
Re-Shooting Schedule
Shooting Schedule | ||
Shots | Location | Date & Time |
first dialogue scene (when mother talks to the son, change lighting and shot types) scene outdoors with the murder staring at the house, smoking a cigarette (lighting/shot types) - re-shoot the scene where the murderer is escaping (change props (gun), closeups/match on action) - re shoot "finding the dead family scene" with different lighting (low key lighting) and close ups on faces of the dead family (flashing close ups on faces) - shot of dad's shocked face (close up) - high angle shot when he falls to his knees and another close up of him holding his son (extreme closeup) | Member's House: Hawley Road 70, Dartford | Monday, 30th January 2012 |
establishing shot - night/day (sunset, sunrise) | M25 Bridge | Tuesday, 31st January 2012 |
snap shot: scene of phone call to the detective, detective is called in to come back on duties. (dialogue scene, on the phone) | Member's house | Tuesday 31st / Wednesday 1st of February. |
Re-shoot.
After first film-shooting, and first editing we have established that we have to re-shoot some scenes regarding our use of lighting and we need to make some changes in terms of our idea and shots we are going to use. We need to do another weather check and shot schedule and we need to add some shots in to improve our film idea. We need to re-shoot following scenes:
- first dialogue scene (when mother talks to the son, change lighting and shot types)
- scene outdoors with the murder staring at the house, smoking a cigarette (lighting/shot types)
- establishing shot - night/day (sunset, sunrise)
- re-shoot the scene where the murderer is escaping (change props (gun), closeups/match on action)
- re shoot "finding the dead family scene" with different lighting (low key lighting) and close ups on faces of the dead family (flashing close ups on faces)
- shot of dad's shocked face (close up)
- high angle shot when he falls to his knees and another close up of him holding his son (extreme closeup)
- snap shot: add a scene when there is a wake up phone to the detective, detective is called in to come back on duties. (dialogue scene, on the phone)
We need to re-think our choice of lighting - make it low-key lighting and use of shadows etc.
We need to set a new shooting date and plan our shots.
- first dialogue scene (when mother talks to the son, change lighting and shot types)
- scene outdoors with the murder staring at the house, smoking a cigarette (lighting/shot types)
- establishing shot - night/day (sunset, sunrise)
- re-shoot the scene where the murderer is escaping (change props (gun), closeups/match on action)
- re shoot "finding the dead family scene" with different lighting (low key lighting) and close ups on faces of the dead family (flashing close ups on faces)
- shot of dad's shocked face (close up)
- high angle shot when he falls to his knees and another close up of him holding his son (extreme closeup)
- snap shot: add a scene when there is a wake up phone to the detective, detective is called in to come back on duties. (dialogue scene, on the phone)
We need to re-think our choice of lighting - make it low-key lighting and use of shadows etc.
We need to set a new shooting date and plan our shots.
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